By -
#MeetTheArtistMonday

Meet Hera Artist and new Vice President Chad Amos Self!


"Thoughts, ideas and memories are constantly floating around in my mind. The best way for me to organize them is through imagery. "


Tell us your artist story, some biographical info, when did you decide to be an artist? Why do you make art? Where did you study? Etc.

I started making objects when I was very young. I was always fascinated with the freedom I experienced building something. I remember loading up my backpack with tools from the garage and going into the woods to build forts out of found scrap wood and debris. These early endeavors were meditative and important to me. They gave me a space to be creative with the limitless resources the forest and my imagination provided me.

I make art because I have to make art. Thoughts, ideas and memories are constantly floating around in my mind. The best way for me to organize them is through imagery. I make art because it helps me continue this inner dialogue happening in my mind. Materializing these thoughts into objects helps me put a timestamp on the conversation.

I received my BFA from the University of Rhode Island and I am currently working on my MFA from Goddard College.

What do you want people to walk away with after experiencing your work?

My imagery is inspired by the activity of creation. I enjoy the footprint left in art by its creator. When I am working on a piece, I let the act of making art dictate where the piece goes. The colors and patterns I choose are not perfect representations, but rather abstract memories. When I make art, I don’t have an agenda or a singular message for the viewer. Rather, my work should be viewed formally as a conversation between the artist and the art.

What influences your work? Why?

My influences are varied and comically unaligned. Academically, I am influenced by 20th century minimal art. Stella, Flavin, and Judd, among many, many, others. Personally, I am influenced by city construction, traffic cones and potholes.

Why are you a member of Hera?

Hera is, and always has been a safe space for me to continue exploring and practicing my art. Similar to my journey into the woods as a child to build forts, Hera has allowed me limitless freedom to further examine my own imagination.





To see more of Chad's work visit his website: https://www.chadamosself.com

To Purchase Chad's work visit the Hera Gallery online store: https://www.heragallery.org/new-products


Comments

Post a Comment

Popular posts from this blog

Artists From The Mill At Shady Lea

By -
Hera Gallery is pleased to present “Artists From Shady Lea Come to Hera,” an exhibition featuring the eclectic works of the artists from the Mill at Shady Lea. This show will feature the works of Jane Bailey, Roberto Bessin, Jon Campbell, Barbara Crane, Jeff Elsbecker, Jody Eyre, Susan Hayward, Karen Imbriale, Sandra Krupp, Sew Many Things, and Amanda Wright. The Mill hosts a vibrant and thriving community of makers; tucked away on Mattatuxet River, the Shady Lea Mill is home to over forty artists, craftsmen, and designers. Continually changing and expanding, the Mill is an organic entity thriving off of the creativity of its tenants. “Artists From Shady Lea Come to Hera” will present the diversity of work created by select tenants of Shady Lea. Included in this biopsy will be the large format pastel drawings by Jane Bailey. Bailey’s paintings are laced with a sense of poetic loneliness, and allows for the pastel drawings to examine depth of light and space. Similarly, Barbara Cr
Read more

CALL FOR ENTRIES: "Landscape at the Edge: Contemporary Views"

By -
H E R A  G A L L E R Y Is pleased to announce an open call for… Landscape At The Edge: Contemporary Views Juror: Michele L’Heureux is a working artist, Gallery Director of The Beard and Weil Galleries at Wheaton College, and Curator of the Kniznick Gallery at Brandeis University. Concept: The contemporary viewing of the landscape is pluralistic and reflective of human relationships to the natural and manmade environment. This national juried show seeks a varied perspective on what contemporary landscape is through the artist’s engagement with the subject. We seek to explore the meaning of place, political or environmental issues related to the landscape, urban and rural landscapes, natural and manmade landscapes, or other points of view. Application Deadline: Friday, February 7th, 2014.   Exhibition Dates:   Saturday, April 5 th - Saturday, May 3 rd , 2014 Opening Reception: Saturday, April 5 th 2014, 6:00 – 8:00 pm Eligibility: Open to
Read more

Repost regarding installation at Providence Place Mall

By -
Image
The Following is a repost from todays Providence Journal. I thought that those of you heading to the Providence Place Mall might find this particular use of commercial and communal space interesting. He wanted a new sofa. She thought the apartment could use more color. When friends stayed over, they often wound up sleeping on the floor. Clearly, everyone agreed, it was time for a change. And so, just days before their secret hideaway was discovered and their exploits became the stuff of local legend, the artists who spent nearly four years homesteading inside Providence Place mall were about to do something that homeowners everywhere can relate to. They were about to redecorate. “We had it all planned,” says Michael Townsend, the lanky 37-year-old mastermind behind what some have called inspired performance art and others, including mall officials, have termed an illegal “violation” of private property. “We had a bunch of new furniture, including a new sofa, new chairs and a very nice
Read more