This was originally posted on my blog, Evocative Objects, and is the documentation from the exhibit that I recently curated in D.C. The show, Objectified: the domestication of the industrial, features the work Robert Longyear, Colleen Heineman, Andrea Miller, and Jeanne Jo.
So, I've finally had a moment to sit down and get this post up since returning from D.C. I had a great time in Washington, Honfleur was a wonderful gallery to work with, and the people from ARCH (a nonprofit, and Honflers parent company) were so helpful and friendly. I also kindof fell in love with the neighborhood of Anacostia, which is a historic neighborhood south of the river in D.C. Although Anacostia has a little bit of a bad reputation, as far as I can tell, it's unwarranted. There is a wonderful arts and revitalization movement going on in the area, and it really shows... it doesn't have a static feel at all, but you can actually feel Anacostia buzz and hum with energy and forward movement.
I've included images below of the final installation, which I'm really happy with. Briony Evans, the creative director and Honfleur, and Beth Ferraro, the creative director for the Gallery at Vivid Solutions, were phenomenal and the show wouldn't have been quite as successful with out their help.
Installation view, right of gallery
Installation view, left of gallery
Robert Longyear: Neckpiece installation view
Jeanne Jo: If A Mouth Were To Whisper... and accompanying photo
Colleen Heineman: Sorted Conglomerates
Andrea Miller: Peripheral System #4 and accompanying photo