Sacrifice for Scholarships?

By -
I was ambient listening to NPR this morning as I was in the gallery work on some emails... I heard a story on Here and Now that peaked my interest. Apparently, the University of Iowa may be forced by their state legislators to sell a $140 million Jackson Pollock painting that was gifted to the school in the 50's in order to fun future art scholarships. Although I support scholarships for students, and think that financial assistantship is an important aide, it doesn't seem that the sale would reflect kindly upon the University's opinion of the arts. The legislators should consider the paintings value to be more than just a portable asset.

Iowa Lawmakers Move To Sell Pollock Painting To Fund Scholarships

(University of Iowa Museum of Art, Gift of Peggy Guggenheim, 1959.6)

(University of Iowa Museum of Art, Gift of Peggy Guggenheim, 1959.6)

Iowa legislators are considering a bill that would force the University of Iowa to sell its Jackson Pollock “Mural” painting, valued at $140 million, which was donated to the state-owned University in 1959. The proceeds from the sale would go into a trust fund to give scholarships to art students. But museum associations have criticized the move, arguing that treating works of art as a source of cash is a violation of museum ethics.

Comments

Post a Comment

Popular posts from this blog

Artists From The Mill At Shady Lea

By -
Hera Gallery is pleased to present “Artists From Shady Lea Come to Hera,” an exhibition featuring the eclectic works of the artists from the Mill at Shady Lea. This show will feature the works of Jane Bailey, Roberto Bessin, Jon Campbell, Barbara Crane, Jeff Elsbecker, Jody Eyre, Susan Hayward, Karen Imbriale, Sandra Krupp, Sew Many Things, and Amanda Wright. The Mill hosts a vibrant and thriving community of makers; tucked away on Mattatuxet River, the Shady Lea Mill is home to over forty artists, craftsmen, and designers. Continually changing and expanding, the Mill is an organic entity thriving off of the creativity of its tenants. “Artists From Shady Lea Come to Hera” will present the diversity of work created by select tenants of Shady Lea. Included in this biopsy will be the large format pastel drawings by Jane Bailey. Bailey’s paintings are laced with a sense of poetic loneliness, and allows for the pastel drawings to examine depth of light and space. Similarly, Barbara Cr...
Read more

CALL FOR ENTRIES: "Landscape at the Edge: Contemporary Views"

By -
H E R A  G A L L E R Y Is pleased to announce an open call for… Landscape At The Edge: Contemporary Views Juror: Michele L’Heureux is a working artist, Gallery Director of The Beard and Weil Galleries at Wheaton College, and Curator of the Kniznick Gallery at Brandeis University. Concept: The contemporary viewing of the landscape is pluralistic and reflective of human relationships to the natural and manmade environment. This national juried show seeks a varied perspective on what contemporary landscape is through the artist’s engagement with the subject. We seek to explore the meaning of place, political or environmental issues related to the landscape, urban and rural landscapes, natural and manmade landscapes, or other points of view. Application Deadline: Friday, February 7th, 2014.   Exhibition Dates:   Saturday, April 5 th - Saturday, May 3 rd , 2014 Opening Reception: Saturday, April 5 th 2014, 6:00 – 8:00 pm Eligib...
Read more

Notes From The Coast

By -
Image
Hera  Gallery is currently exhibiting work by Kathie Florsheim and Barbara Pagh through September 5th. Stop by Wednesday - Friday from 1-5pm, and Saturday from 1-4pm. You can also view their extensive bodies of work on our website! https://www.heragallery.org/ current Both artists are exhibiting new work this fall after they recognized shared interests in the coastal environment. Pagh voices she decided to revisit the theme of the Rhode Island coast: “For Matunuck Intervals, I began in September by walking on the South Kingstown town beach and Moonstone Beach on an almost daily basis, using my phone to photograph details of patterns in the sand, sand fences, rocks, piles of slipper shells, burlap bags that form a buffer for a house. The photographs were altered on the computer and became digital negatives that were then exposed onto light-sensitive lithographic plates and printed on a variety of thin Asian papers. I collage the images together in spa...
Read more